更关键的是，美式性感与当下中国主流审美之间的张力正在扩大。强调身体曲线的广告语言，在流行更偏向松弛感、功能性和高级基础款的语境中显得过时。它既不够街头，也不够极简，更谈不上科技面料或户外转向。GUESS的牛仔与性感叙事在当下审美环境中显得有些停滞。价格与价值感之间的错位，让品牌既难以向上突破，也难以下沉抢量。
“这不仅是融资，更是为了保命。”一位业内财务分析师向虎嗅坦言，“如果不这么做，连续的巨额研发投入会让资本市场彻底失去耐心，股价承压将引发连锁反应。李斌是在用时间换空间，赌的是未来销量爆发能覆盖掉这些隐性成本。但换电业务独立至今仍未实现整体盈利，依然依赖汽车销量的输血。如今芯片业务‘故伎重施’，虽然能争取到6-9个月的窗口期，但若主业造血能力无法根本性扭转，这不过是把雷埋得更深而已。”
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You can include multimodal data like images. There’s something strange about including images when going back to Roman times or 1700 because while they had texts, they didn’t have digital images. However, this is acceptable for some purposes. You’d want to avoid leaking information that could only be known in the present. You could include things people at the time could see and experience themselves. For example, there may be no anatomically accurate painting in Roman times of a bee or an egg cracking, but you can include such images because people could see such things, even if they weren’t part of their recorded media. You could also have pictures of buildings and artifacts that we still have from the past.
MorphCostumes has scoured the world for alternatives to Chinese production, including Vietnam, Bangladesh, and Cambodia. None offer the deep expertise in everything from cloth-sourcing to zip-making that is available in China, often in the necessarily small batches needed for fast-moving consumer goods.